A Fine Zlatoust (Златоуст) Metalwork Wall Plaque
Iron, Steel, Blued Steel & Gilding
Soviet Era Russia
Zlatoust, Златоуст, Chelyabinsk Oblast, Russia
Measures:- 18 cm (diameter)
Marks & Inscriptions:- Signed within the image "r. Златоуст 1977 r. / O.A." Verso two ink stamped diamond shaped quality control marks with the text "3 OTK XI" [Отдел технического контроля (Office of Technical Control)] and the remnants of an old paper label.
A very attractive metalwork plaque with a modernist, abstract-figurative landscape of pine and silver birch trees with falling snow. The design picked-out on the patinated iron plaque in contrasting colours of metalwork: steel, blued Steel with matt and polished gilding. Pierced for a hanger.
A very attractive metalwork plaque with an undulating modernist landscape of pine trees and silver birch with falling snow. The slightly raised design picked-out across the plaque’s patinated iron surface in contrasting metalwork effects: steel and blued steel, along with matt and polished gilding.
The city of Zlatoust was founded in the Urals in 1754 specifically as a metalwork manufactory. During the reign of Tsar Alexander I a state metallurgical workshop and arms factory was established and the city soon became a major centre for producing blades; comparable to Sheffield in England, Solingen in Germany or Toledo in Spain. The metallurgist Pavel Petrovich Anosov (1796-1851), working in Zlatoust, rediscovered the method of making Damascus steel and soon most of the Russian army’s bladed weaponry was made in the city. Almost every single Russian bayonet issued during WWI was forged in the furnaces of Zlatoust.
Over the following decades, with the changing nature of weapons and increasingly industrialised manufacturing processes, much traditional metalworking knowledge was lost. Towards the middle of the 20th Century, attempts were made to reestablish these skills, through the production of art metalwork. The artist whose initials appear here as "O.A." has not been indentified but the plaque is a wonderful example of originality, displaying a number of complicated processes and techniques similar to the Japanese metalworking known as “uchikomi zogan”.
The Tabernacle within the new Cathedral of Christ the Saviour, Moscow, consecrated in 2000, was made by artist-craftsmen from Zlatoust.
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